Modalities of Me is an immersive dance performance by DANCÆ, where five figures embody shifting states of being and move within a site-specific installation, dancing to electronic music that merges choreography, architecture, and light into one experience.

Selected coverage: Berlin Art Link, Der Tagesspiegel, Sleek, Nasty, Metal, Office.

Disturbing Beauty is a one-night installation by photographer and night life legend Sven Marquardt at Haus der Visionäre, where monumental portraits and video projections converge with live piano to transform 25 years of analog photography into an immersive dialogue between intimacy, beauty, and disquiet.

Selected coverage: tipBerlin, Berliner Zeitung, Der Tagesspiegel, Metal, Sleek, Süddeutsche Zeitung, Monopol, Vogue Germany.

For Selin Davasse’s Corpus Iuris Artis cycle — with II. The Hearing at soft power and III. The Appeal by Pickle Bar (Berlin Art Week, 2025) — I supported press relations contributing to the visibility of a project that stages a fictional legal system to critically and satirically interrogate ethical claims in the art world.

Berlin Atonal returned with a five-day programme across Kraftwerk, Tresor and OHM, presenting new commissions, premieres, installations and club nights that affirm its role as an international biennial platform for experimental music and interdisciplinary art.

Selected coverage: Berliner Zeitung, taz, Deutschlandradio Kultur, Monopol, Resident Advisor, Mousse, Spike, Artreview, Dazed, Elephant, The Quietus.

Eclipse, the FW25 collection of the Berlin-based demi-fine jewellery brand AVGVST, designed with Isa Kauffman, translates the cosmic phenomenon of the solar eclipse into sculptural pieces that play with distortion, alignment and light, crafted in sterling silver and rock crystal.

Selected coverage: Beige, Sicky, Süddeutsche Zeitung, Vanity Fair Italy, Design Scene.

WHOLE Festival is Europe’s largest queer electronic music festival, held each summer at Ferropolis near Berlin, where international LGBTQIA+ communities gather for four days of music, performance, and celebration amid monumental industrial structures.

Selected coverage: têtu, Electronic Beats, MixMag, BUTT, Attitude, Dazed, Document Journal.

For Haderlump SS26 “EXLIBRIS”, I handled press work and guest management, coordinating media outreach and ensuring a smooth experience for the 450 guests at Haus der Visionäre. The collection, conceived under Johann Ehrhardt’s creative direction, explored identity, authorship, and the legacy of ownership.

Selected coverage: Vogue Runway, The Impression, Harper’s Bazaar Germany, Monopol, NEO2.

For MARKE SS26 “The Summer I Never Had”, I was responsible for press relations and guest management, coordinating media outreach and ensuring the smooth hosting of press, community, and industry guests at the Berlin show. The collection, inspired by queer coming-of-age narratives and literary works from Forster to Stuart.

Selected coverage: Deutschlandfunk Kultur, Fashion United, F.A.Z., Vogue Runway, Pause.

For Milk of Lime SS26 “CHIME”, I managed press relations and guest management, coordinating invitations, media outreach, and the hosting of press, community, and industry guests during Berlin Fashion Week. The collection, a romantically dark and folkloristic reflection on rural coming-of-age with poetic countryside-inspired design language and commitment to craftsmanship.

Selected coverage: Vogue Runway, Coeval, Fashion Snap Japan, Harper’s Bazaar Italy, Sleek, Vogue Germany.

For Clara Colette Miramon SS26 “Care”, I managed guest relations for press and stylists, coordinated press work, and authored the official press release. The open-air show on Rosa-Luxemburg-Straße, in front of the Volksbühne, unfolded as a choreographed movement through public space with a set of hospital beds and Pilates reformers, inspired by the overlooked labor of caregiving.

Selected coverage: F.A.Z., Der Spiegel, InStyle Germany, Marie Claire Germany, Le Mile, Numéro Berlin.

For PLATTE.Berlin, I supported press relations and guest management not only for the Clara Colette Miramon runway show, produced in collaboration with PLATTE, but also for two of their flagship initiatives during Berlin Fashion Week: the Berlin Curated Showroom, which presented the work of 14 emerging designers in a spatial installation conceived with photographer Sven Marquardt, and the NEXT GEN Pop-Up, a month-long showcase dedicated to five young talents shaping the future of fashion.

Selected coverage: Der Tagesspiegel, Elle Germany, Textil Wirtschaft, Berliner Zeitung, tipBerlin, Fashion Network.

For Avgvst Night Out, together with Hans Krestel, I oversaw PR and guest management, compiling the guest list of press, talents and community, sending invitations and follow-ups, supporting the selection of a photographer, and coordinating product gifting for selected guests. Held on 10 August 2024 in the garden of Avgvst Berlin, the event marked the presentation of the new collection Echo, with a poetry reading by Nadia Marcus and an electro-acoustic performance by Playtronica Berlin.

To Kiss Against the Fire, the largest exhibition to date by Berlin-based Greek photographer Spyros Rennt, opened Rosegarden during Berlin Gallery Weekend with a survey of eight years of work exploring intimacy, queerness, and the vitality of nightlife.”

Selected coverage: AD, Harper’s Bazaar, Vogue Germany, Der Tagesspiegel, Ocula, Document Journal.

Into the Open returned to Kühlhaus Berlin from 28 January to 2 February 2025 with the theme Rituals. The festival brings together classical music with performance, visual arts, and electronic experimentation, featuring three world premieres and international highlights.

Selected coverage: Kaltblut, Musik Theater Berlin, Siegessäule, tipBerlin, Berliner Morgenpost, Der Tagesspiegel.

The Hunger, the latest production by Constanza Macras | DorkyPark at Volksbühne Berlin, premiered on 19 September 2024 and explored collective rituals of excess as a fragile scaffolding of reality, linking the cannibalistic encounters of 16th-century colonizers in South America with today’s voracious capitalism and digital hyper-consumption.

Selected coverage: taz, Tagesspiegel Spielzeit, Nachtkritik, Vogue Germany, The Berliner, Deutschlandfunk Kultur.

Intertwined is the fourth self-published photographic book by Berlin-based photographer Spyros Rennt. Through a sequence of diptychs, it traces intimacy, tenderness, and queer connection, marking an evolution from the raw nightlife imagery that first defined his work toward a more contemplative exploration of closeness in both private and collective spaces.

Selected coverage: Lampoon, Fucking Young, Metal, 10 Magazine, Dazed, Gay Times, Queerty.

Laura Gerte’s AW25 collection LOOPED & BOUND explores the intersection of human and machine, intimacy and armour, in a manifesto of ‘future punk’ aesthetics and attitude, featuring upcycled materials, performance, sound, and community spirit.

Selected coverage: Vogue Runway, Marie Claire UK, Vogue Italy, Numéro Netherlands, Berliner Zeitung, Sleek.

With Everything That Stays Is Love, MARKE AW25/26 unfolds as an ode to memory and the melancholy of time. Guided by figures such as Dickens’ Miss Havisham and Bright Young Thing Stephen Tennant, designer Mario Keine explores nostalgia, longing, and the fragile beauty of remembrance.

Selected coverage: Pause, Vogue Business, Schön!, Forbes, AnOther, Highxtar.

Avenir’s AW25 collection, presented at Berlin’s Hôtel Château Royal, blends sustainable innovation with contemporary elegance. Through its dual Blue and Red Lines, the brand transforms pre-loved and surplus textiles into refined ready-to-wear and collectible pieces.

Selected coverage: Der Tagesspiegel, Vanidad, Vogue Runway, Tribute to, Fashion Snap Japan, Design Scene.

For Sia Arnika AW25, I was responsible for guest management, coordinating the arrival and hosting of press, talents, and community at the Berlin show. The collection, a raw and rebellious tribute to memory, seduction, and the untamed spirit of the sea, unfolded in a warehouse space transformed into an immersive harbour-inspired set by TOR Studio.

INFORMATION, Hannah Hallermann’s solo exhibition at HOTO Gallery (27.04 – 14.06.2024), reflected on how we navigate today’s constant flow of facts, opinions, and distortions, exploring shifting perception, data, and the balance between focus and openness.

Selected coverage: Cee Cee, Süddeutsche Zeitung, taz, tipBerlin, Design Scene, Vogue Germany.

For Into the Open – Music Festival 2024, I managed press work and invited journalists to the opening and key events. Held from 23–28 January 2024 at Kühlhaus Berlin under the theme VISIONS, the festival brought together young musicians with established artists across various fields, presenting classical music in innovative, multimedia concert formats.

Selected coverage: Berliner Morgenpost, Der Tagesspiegel, Sleek, Arts of the Working Class, tipBerlin, Monopol.

For Sia Arnika SS25, I managed key aspects of PR and guest relations, including compiling the guest list of press, talents and community, organising the seating plan, coordinating guest management during the show, supporting talent fittings, and handling the post-show press send out.

Selected coverage: Showstudio, Vogue Scandinavia, Vogue Runway, Hypebae, Culted, Dazed.

For Clara Colette Miramon SS25, “nesting”, I supported the debut runway show with a range of PR and guest management tasks. My role included compiling the guest list of press, talents and community, writing the official press release, coordinating the seating plan, managing guests during the event, and assisting with talent fittings.

Selected coverage: Vogue Business, Fashion United UK, Culted, Berliner Zeitung, Hypebae.

BLACK LAND, RED LAND – RESTITUTE (21–28 December 2023) was a four-day interdisciplinary festival in Berlin that explored museum knowledge systems and created new intimacies with artefacts from the Egyptian Museums of Berlin and Turin through artistic and discursive processes.

Selected coverage: Arts of the Working Class, Artribune, Domus, Ocula, Vogue Germany, Monopol.

LA- and Tokyo-based artist and designer Bryant Giles presented his first Berlin solo show I’M ALIVE? at Schlachter 151, featuring 32 works spanning painting, drawing, film, photography and score, reflecting on mental health, social and economic realities, freedom of speech, and the desensitisation of contemporary life.

Selected coverage: Der Tagesspiegel, Fräulein, i-D Germany, Monopol, Numéro Berlin, Sleek.

Mental Hot Spot No.2 at OOW, curated by Tim Plamper, transformed an architecture studio into an exhibition where works by 16 international artists entered into dialogue with the workplace, creating a porous encounter between art and architecture across the day.

Selected coverage: AD Germany, Numéro Berlin, Berlin Art Link, Der Tagesspiegel, Cee Cee, Sleek.

A four-day showcase at the Julia Stoschek Foundation, Berlin, curated by Laura López Paniagua, presenting Roman Lipski’s experimental use of VR, AI, and Quantum Blur in contemporary art.

Selected coverage: Arts of the Working Class, Berlin Art Link, Der Tagesspiegel, Kaltblut, Metal.